Gewinner

ZeLIG Award for Best Documentary (€ 2.000):
GELIEBTE STIMMEN, by Stefan Ludwig e Thomas Beckmann (Germany, 2006, 63')
Forza del film è la capacità, grazie ad eccellenti movimenti di camera, di proporre la dialettica tra i protagonisti, così come una vicinanza con lo spettatore. L’eccellente lavoro di composizione delle immagini riesce ad immergere il pubblico nei differenti mondi dei
protagonisti.

4FF Audience Award:
THE END by Michel Samreth, Maxime Leduc, Martin Ruyant (France, 2005, 6')

4FF Schools Award:
COUCOU CLOCK by Cailleau Francois (France, 2005, 3')

OPERE NUOVE
The jury was composed of:
Mario Addis president, Charlie Cockey, Giuliana Dea, Sandra Gallippi and Nicola Ioppolo.
The Art director is Roland Lioni

Main Award "Opere Nuove of the city of Bolzano" (€ 1.000):
OFFERTE SPECIALI (Today's specials ) by Gianni Gatti (Italy, 2005, 7')
For the originality of the subject, treated with fluid images and ironic content.

Special Award of the Jury (€ 500):
FARE BENE MIKLES(Being good at Mikles ) by Christian Angeli (Italy, 2005, 17')
For its ability dealing in a courageous and positive fashion with the sensitive theme of violence against children.

Special Mention "Best Experimental film" and Scholarship for a master's course to Torino University (€ 2.500):
BODY ELECTRIC #2 by Davide Pepe (Italy, 2005, 7')
Using a brilliant synchronization of light, sound and movement, Body Electric #2 creates a choreography which transforms that most personal and intimate landscape, the human body, into something wondrous, mysterious and completely new.

Audience Award:
TANA LIBERA TUTTI by Vito Palmieri (Italy, 2006, 15')

NO WORDS
The jury was composed of:
Mario Addis president, Charlie Cockey, Giuliana Dea, Sandra Gallippi and Nicola Ioppolo.
The Art director is Roland Lioni

International "No Words" Award (¤ 1.000):
LA GALLINA CIEGA (The Blind Chicken) by Isabel Herguera (Spain, 2005, 7')
For the originality of its visual artistry and skilled graphic editing, which allow us to follow effortlessly the dark adventure of its protagonists.

Special Award of the Jury (¤ 500):
EL GRAN ZAMBINI (The Great Zambini) by Igor Legarreta e Emilio Perez (Spain, 2005, 15')
For this magically atmospheric tale’s ability to express the sometimes difficult relationship between father and son.

Best Animation Award (¤ 500):
THE END by Michel Samreth, Maxime Leduc, Martin Ruyant (France, 2005, 6')
For its cinematographic rhythm and theme of tolerance, interpreted by characters with a fairy-tale flavour.

Special Mention of the Jury:
JUST LIKE THE MOVIES by Michal Kosakowski (Austria, 2005, 21')
For its rich editing, which creates from the footage of pre-9/11 popular films a “documentary” of the reality that has to come to be.

Special Mention of the Jury:
KAIZER by Kotaro Tanaka (Japan, 2006, 10')
For its visual brilliance.
Just as examining a painting at length more and more details become apparent, Kaizer subjects a slowly rotating shot of a simple public garden to dazzlingly inventive image manipulations, revealing a kaleidoscope of hidden delights.

Audience Award:
THE END by Michel Samreth, Maxime Leduc, Martin Ruyant (France, 2005, 6')

BORDERLANDS - Terre di confine
The jury was composed of:
Federica Cumer, Leonardo Gandini, Andrea Natella, Franca Verda Hunziker
The Art director is Federico Greco

"Luis Trenker" Award for Best Short Film (€ 1.000):
LIKE TWENTY IMPOSSIBLES, by Annemarie Jacir (Palestina, 2003, 17')
Per aver saputo analizzare con assoluta originalità i confini del linguaggio cinematografico nel confronto con i confini territoriali.

"Luis Trenker" Award for Best Feature Film (€ 2.500):
IL LEGAL, by Bernard Weber (Switzerland, 2006, 31')
Per la fluidità narrativa con cui fa emergere all'interno di un microcosmo domestico pregiudizi, confronti e conflitti che caratterizzano la convivenza nelle moderne società multietniche.

Special Mention of the Jury:
PHILOSOPHY OF ONE MAN, by Pawel Jurga (Poland, 2004, 23')
Per aver saputo raccontare la disponibilità all'accoglienza attraverso parole e pensieri di un personaggio autentico e libero di spirito.

Audience Award:
DEL RWANDA NON SAPPIAMO NIENTE by Orsola Sinisi (Italy, 2003, 40')

RIMUSICAZIONI
The jury was composed of:
Enrico Montrosset, Emidio Clementi, Emilio Galante, Luciano Stoffella e Tommaso Lessio.
The Art director is Tiziano Popoli

First Award (€ 1.200):
Marco Dalpane - Italy, 2000
DIE BERGKATZE, by Ernst Lubitsch, (Germany, 1921, 81')
A very high quality score, technically impeccable. It makes effective use of an ironic accompaniment, with an ability to underscore the film’s humour.

Second Award (€ 550):
Stefano Zorzanello - Italy, 2002
STRAMILANO, by Corrado d’Errico, (Italy, 1929, 10’)
An excellently composed, arranged and performed re-musication. Using acoustic sounds produced by the instruments, it also manages to reflect the noises inherent in the images. The cyclical form of the composition was appreciated and the systematic approach deemed original.

Third Award (€ 350):
Dario Carrubba - Italy 2005
THE LODGER, A STORY OF A LONDON FOG, by Alfred Hitchcock, (Uk, 1927, 75’)
The re-musication of The Lodger is well defined in its emotional tone, the comment of the action and the characterization of the actors. There is good synchronicity between acoustic sounds and invented noises.

Harlock Award (publication of CD):
Sergio Lopez Figueroa - Spain, 1995
UN CHIEN ANDALOU, by Luis Buñuel, (France, 1929, 16’)
Figueroa work shows a good technique in organizing the orchestra and shows the ability of following the images with a significant and free soundtrack, capable to expand the meanings of it.

Ermitage Award (publication of DVD):
Ian Lawrence Mistrorigo - Italy, 2005
JOAN THE WOMAN, by Cecil B. De Mille, (Usa, 1917, 128')

Audience Award:
Remo Anzovino - Italy, 2005
NANOOK OF THE NORTH, by R.J. Flahrty, (Usa, 1922, 79')